Weissenburger Tagblatt - July 25, 2005


Albums

Songs

Concerts

Press

by Rainer Heubeck

translation by Astrid Nolde-Gallasch


Soft feel-good program

Weißenburg. The rush was enormous - Chris de Burgh noticed that as well. 
The world star had been caught up in a long traffic jam with hundreds of 
fans from the autoroute 13 up to the parking lot underneath the Wülzburg. 
That the world star appeared in time on the festival area and could 
prepar himself for the concert is due to the Weißenburg police. A car 
patrol ordered by organiser Thomas Schneider finally opened the way for 
the Irish pop singer through the masses of people. So nothing came into 
the way of his guest performance at the biggest open air music event 
between Nuremberg and Ingolstadt. Chris Davison (his civil name) was 
rather unimpressed by such inconvenience after three decades of stage 
experience. And he even could smile about the rain that started at the 
beginning of the concert: "In my country this will be a beautiful day", 
he joked in front of a not really summerly backdrop.

Enthusiasm for the world star

Meanwhile the almost 3000 fans in the courtyard of the Wülzburg could 
hardly applaud or clap along with the rhythm - with an umbrella or a 
protecting canvas cover in hand, that was rather impossible. But 
fortunately the rain shower and the wafts of mist had the festival at the 
Wlzburg on Friday night under control for a short time. It cleared up 
and when Chris de Burgh came down from stage after one hour and walked 
singingly through the audience, enthusiasm raised. Friends of disco music 
had also packed their good mood. They had a swinging summer evening on 
Saturday during the show "Abbamania" (read our report on page 4). And on 
Sunday for the final of the five day festival, which attracted about 7000 
music fans, there was the musical theater "Der Watzmann" written by 
Wolfgang Ambros and others (a report follows tomorrow). The piece has 
already received state of cult and recently was completely sold out for 
several performances in Klagenfurt.

Mostly sold out

The visitor magnet of this year's Wülzburg festival was undoubtedly Chris 
de Burgh's performance. The seats for this top act had been sold out at 
the internet box offices from Weißenburg since several weeks. Before the 
performacne on the Wülzburg there were only some standing tickets left. 
The singer who was born in Argentina and is living in Ireland has a true 
fan community in Germany, much more than in his home country - and they 
travelled from Rosenheim and Wrzburg in order to experience and 
celebrate their star in spite of wetness and coldness.

Well-known hits

At the beginning rather cautious (which was also due to the rather less 
known songs of the album "The Road To Freedom") the audience became 
louder when Chris de Burgh intoned his hits "Lady In Red", "Don't Pay The 
Ferryman" or "High On Emotion" - those were really known by everybody in 
the audience, which consisted of people of all ages. The folk pop 
musician who follows in Simon & Garfunkel's footsteps in many of his 
tracks, offered a perfect show in Weißenburg, that really was worthy of 
the world star. He is an excellent musician, handles guitar as well as 
the piano, and knows of course how to entertain an audience - for example 
with short episodes about the love in France and the rather unromantic 
German counterpart. He virtously also received several gifts by fans from 
pictures to red roses. And he soon had so many flowers that he wanted to 
resell them as "used flowers" again. Chris de Burgh didn't need an 
accompanying band or background singing during his tour, which will lead 
him to Mainz and Salem during the following days. Knowingly he dispensed 
with accompaniment on the album "The Road To Freedom" which was released 
last year. During the concert on the Wülzburg everything was reduced to 
himself, his excellent, but in some passages seemingly a little inflated 
voice and his songs. 

Perfect mixture

Like on the new "Live in Dortmund" CD Chris de Burgh cleverly mixed 
cuddly songs with rocky tunes like "Revolution" or that "Read My Name", 
in which he even conveyed party mood with a fast beat and earthy guitar 
riffs. Not just the mixture of newer and older songs was perfect, the 
sound was as well. But that could have been expected regarding an artist 
of world format and according entry fees. The messages of his music are 
popular - against violence and exclusion, for peace and love. He courts 
to "amour" not only in the short chat breaks, but especially in the 
selection of his music. A dozen of emotional ballads from "Carry Me" up 
to "Sailing Away" raised the cuddling mood in the courtyard of the 
castle. A soft feel good program for souls in love.




Questions or comments?

File last modified on August 26, 2006