Schweriner Volkszeitung - July 22, 2003
The "Lady In Red" dances through the worldThe Chris de Burgh Story / Part 2
"Midsummer Dreams" on August 30, 2003 Ludwigslust. On August 30 one of the very big ones of rock and pop can be experienced in front of the fantastic backdrop of the Ludwigslust castle: Chris de Burgh presents "midsummer dreams" live with his band during the big summer festival of SVZ and Antenne Mecklenburg-Vorpommern. Today we look back on the first successful years of the king of rock ballads. When in 1975 SPANISH TRAIN AND OTHER STORIES (A&M) was published as Chris de Burgh's second long play record, the bard of the new generation was already a star in Brazil because of his number 1 hit FLYING. However in Europe, the USA and in his home country Great Britain hardly anyone wanted to buy his records. But out of all countries the far away Canada surprisingly noticed the catchiness and melancholy of SPANISH TRAIN and it became gold and platinum. His immersed lyrics about knights, death and devil and the melancholy romantic singing slowly sparked off the hearts of a small, but true circle of European fans. Still the following productions AT THE END OF A PERFECT DAY (1977) and CRUSADER (1979) didn't fulfill the hopes, they hardly found any buyers. Only the fifth record which was published in 1980 brought the change for Chris de Burgh in Europe. Huge Fan Community in Germany For the first time he let moderate rock rhythms flow into his ballads, went on tour with his own band and had a record of 125,000 sold albums in Norway which was only exceedd by The Beatles. When Chris de Burgh's Best Of-collection BEST MOVES (A&M) went on number 4 of the German charts in 1981, he had already performed over 1000 times on stage. Finally the time seemed to ripe for the melancholy ballads of the troubadous who lives in Ireland. Indeed one year later the final breakthrough happened with the album THE GETAWAY which was produced by multi talent Rupert Hine and its first single DON'T PAY THE FERRYMAN. Especially in Germany in the following years a huge, true fan community was formed, but there were also the most vicious critics. "Filled by humanly possible fervour" The STERN bitched about the "Irish softener" and DIE WELT scolded: "Stereotypical synthesizer sounds and lyrics which are supposedly rich in content mix up to a thick paste of emotions that plugs the auditory canals." There were other critics opinions too. So the FAZ praised: "The love and the love for life, life as a game, as a way, as a fight, fights between heroes and villains, good and evil are the motives... The position of storyteller Chris de Burgh is always moral and strictly oriented at values. Correspondingly he loves his vehicle, the music, of catchy, easily remembered melodies with a hint of mystical Irishness and filled by humanly possible fervour." In 1986 Chris de Burgh could finally book the hoped for success in his home country with the album INTO THE LIGHT (A&M) and the single THE LADY IN RED. There is practically no country in the world in which THE LADY IN RED hasn't been played on the radio. Also the USA now recognized the qualities of the ballad writer and singer. Until today INTO THE LIGHT is still his best album in America.
